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To fill out the enhance of instruments, Lennox played an obtained Oberheim OB-X for sustained string noises. Their only microphone, an utilitarian design generally used for hi-hat, performed all the acoustic responsibilities, including tracking Lennox's vocals. Stewart recalls he was in a manic mood while Lennox was depressed. Stewart was positive since he had actually simply endured surgical treatment on a punctured lung, and felt like he had been offered a brand-new lease on life.

She livened up when she heard Stewart first exploring with the song's bass line sequence. She "jumped off the flooring" and began to fill out the tune with the Oberheim synth. According to Stewart, the record business did not think the tune was suitable as a single as it did not have a chorus.

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Chart performance [modify] "Sweet Dreams" was Eurythmics' industrial breakthrough in the UK and all over the world. The single entered the UK chart at number 63 in February 1983 and reached second the following month for one week. Although it is one of the most effective songs of the synth-pop category of the '80s, it might not reach Number 1, held up by the effective ballad of "Total Eclipse of the Heart" by Bonnie Tyler.

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The single debuted at number 90 and slowly eased up the chart. By August, the single had actually reached second and stayed there for 4 weeks before "Sweet Dreams" took the primary spot. Music video [edit] The music video for "Sweet Dreams" was directed by Chris Ashbrook and filmed in January 1983, soon before the single and the album was released.

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The music video begins with a fist pounding on a table, with the camera panning approximately reveal Lennox in a boardroom, with pictures of a Saturn V launch forecasted on a screen behind her, which are later replaced by a shot of a crowd strolling down a street. Stewart is shown typing on a computer system (really an MCS drum computer system).

Stewart is next revealed playing cello in a field.  Check For Updates  returns to the conference room, with Lennox and Stewart resting on the table, and a cow strolling around them. Stewart is shown again typing on the computer, with the cow chewing something right next to him. The scene cuts to the duo in a field, with a herd of cows, and Stewart still typing.